Fwwank's MoJo

2011-05-15T19:08:00.001-07:00

7 Walkers

2010-04-22T18:26:00.000-07:00

chooobachooooba

Papa Mali
Bill Kreutzmann
Reed Mathis
Matt Hubbard

K is for Kraftwerk

2010-02-22T20:31:00.001-08:00

2010-02-10T19:30:00.005-08:00

2010-02-10T19:30:00.003-08:00

2010-02-10T19:30:00.001-08:00

I is for Indie

2010-02-02T06:19:00.000-08:00

H is for Heavy

2010-01-27T09:28:00.000-08:00

G is for Garage

2010-01-17T18:37:00.000-08:00

F is for Funky

2010-01-11T19:44:00.000-08:00

E is for Electric

2010-01-10T19:39:00.000-08:00

D is for Drums

2010-01-08T15:07:00.000-08:00

C is for Country

2010-01-07T06:22:00.001-08:00

B is for Blues

2010-01-06T09:44:00.001-08:00

A is for AfroCuban

2010-01-05T05:52:00.000-08:00

Best of 2009

2009-12-29T20:59:00.000-08:00

Kermit Ruffins

2009-12-21T17:46:00.001-08:00

Who DAT?

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Christmas Card From A Hooker In Minneapolis

2009-12-18T18:24:00.000-08:00

Roberto Aymes Art Latin Jazz - Christmas time is here

2009-12-16T19:21:00.000-08:00

smooooooooooooth

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Willie

2009-12-13T20:05:00.000-08:00

God Rest Ye Merry Gentlemen

2009-12-11T00:01:00.000-08:00

Warfield Theatre - 12/7/91

Jerry Garcia - guitar
David Grisman - mandolin
Joe Craven - percussion
Jim Kerwin - bass

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Cantelope Island

2009-12-07T19:04:00.000-08:00

loving cup

2009-12-02T18:43:00.000-08:00

flips

2009-11-27T18:44:00.001-08:00

Must Be Santa

2009-11-20T18:22:00.001-08:00

Taj

2009-11-16T07:56:00.000-08:00

1968

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2 minutes of brilliance

2009-11-12T19:15:00.001-08:00

happy birfday Neil

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1978

2009-11-08T17:51:00.001-08:00

RAW

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Morphine

2009-10-18T19:52:00.000-07:00

the finest band featuring 2-string slide bass EVER
not to mention wah-wah baritone sax

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Built To Spill

2009-10-16T19:15:00.000-07:00

a sonic assault

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Ramblin' Jack

2009-10-05T07:49:00.000-07:00

Bud Powell Trio

2009-09-26T18:23:00.000-07:00

The Jam

2009-09-24T18:44:00.000-07:00

1981

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Down in the Hole

2009-09-20T19:56:00.000-07:00

from Big Time (1988)

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Merry Bob!!!

2009-09-19T15:44:00.000-07:00

some samples from Bob's Christmas album

.

the Commander

2009-09-18T17:38:00.001-07:00

1980

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RA

2009-09-14T16:42:00.000-07:00

from FOGGY TV

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Jim Carroll RIP

2009-09-13T16:28:00.000-07:00

obit from the New York Times

Jim Carroll, the poet and punk rocker in the outlaw tradition of Rimbaud and Burroughs who chronicled his wild youth in “The Basketball Diaries,” died Friday at his home in Manhattan. He was 60.

The cause was a heart attack, said Rosemary Carroll, his former wife.

As a teenage basketball star in the 1960s at Trinity, an elite private school on the Upper West Side of Manhattan, Mr. Carroll led a chaotic life that combined sports, drugs and poetry. This highly unusual combination lent a lurid appeal to “The Basketball Diaries,” the journal he kept during high school and published in 1978, by which time his poetry had already won him a cult reputation as the new Bob Dylan.

“Today was my first Biddy League game and my first day in any organized basketball league,” the diaries began, innocently. “I’m enthused about life due to this exciting event.”

By the end of the book, Mr. Carroll was a heroin addict who supported his habit by hustling in Times Square. “Totally zonked, and all the dope scraped or sniffed clean from the tiny cellophane bags,” the final entry read, continuing, “I can see the Cloisters with its million in medieval art out the bedroom window. I got to go in and puke. I just want to be pure.”

“Basketball Diaries,” republished in a revised version in 1980, became enormously popular, especially on college campuses. In the film adaptation, released in 1995, Leonardo DiCaprio played the part of Mr. Carroll

The writer’s good looks and flair for drama made him ideal raw material for rock stardom. “When I was about 9 years old, man, I realized that the real thing was not only to do what you were doing totally great, but to look totally great while you were doing it,” he told the poet Ted Berrigan in the 1960s. In the late 1970s, with the encouragement of Patti Smith, he formed a musical group, the Jim Carroll Band, whose first release, “Catholic Boy” (1980), is sometimes called the last great punk album.

James Dennis Carroll, the son of a bar owner, spent his childhood on the Lower East Side of Manhattan, where he attended Roman Catholic schools. After the family moved to Inwood, at the northern end of Manhattan, he won a basketball scholarship to Trinity. There he discovered a love of writing and began spending time at the St. Mark’s Poetry Project in the East Village, falling under the spell of Allen Ginsberg and Frank O’Hara.

Still in his teens, he published a limited-edition pamphlet of his poems, “Organic Trains” (1967), which, with its successor, “4 Ups and 1 Down” (1970), won him a cult following that was enhanced when The Paris Review published excerpts from his journals in 1970. “Living at the Movies” (1973), issued by a mainstream publisher, won him both acclaim and a wider audience.

His life was colorful. Hailed by Ginsberg, Berrigan and Jack Kerouac as a powerful new poetic voice, he became a fixture on the downtown scene. After briefly attending Wagner College on Staten Island and Columbia University, he found his way to Andy Warhol’s Factory, where he contributed dialogue for Warhol’s films. Later he worked as a studio assistant for the painter Larry Rivers and lived with Ms. Smith and Robert Mapplethorpe, the photographer. He chronicled this frenetic period in “Forced Entries: The Downtown Diaries, 1971-1973.”

In 1973 Mr. Carroll left New York to escape drugs. He settled in Bolinas, an artistic community north of San Francisco, where met and married Rosemary Klemfuss in 1978. The marriage ended in divorce. He is survived by a brother, Tom.

Mr. Carroll’s music career started by accident, when Ms. Smith, during a West Coast tour, brought him onstage to declaim his poetry with her band providing background. Encouraged by the response, Mr. Carroll formed his own band, which caught the attention of Keith Richards of the Rolling Stones, who arranged a three-record deal with Atlantic Records.

The critic Stephen Holden described Mr. Carroll in The New York Times in 1982 as “not so much a singer as an incantatory rock-and-roll poet.” Like Lou Reed, he had a mesmerizing power, evident on songs like “People Who Died,” from “Catholic Boy,” a poetic litany of Mr. Carroll’s dead friends that became a hit on college radio stations and part of the soundtrack for “E.T.: The Extra-Terrestrial.”

The group’s next two albums, “Dry Dreams” (1982) and “I Write Your Name” (1984), caused much less stir. After writing lyrics for Blue Oyster Cult and Boz Skaggs, Mr. Carroll returned to the studio in 1998 to record “Pools of Mercury.”

Mr. Carroll published several more poetry collections: “The Book of Nods” (1986), “Fear of Dreaming” (1993) and “Void of Course: Poems 1994-1997” (1998), as well as several spoken-word albums.

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Bags Groove

2009-09-09T05:52:00.000-07:00

Guitars

2009-09-08T06:45:00.000-07:00

Barney Kessel
Kenny Burrell
Grant Green

.

the New Pollution

2009-09-05T17:14:00.000-07:00

Beck & the FLips
2002

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With My Own Bare Hands

2009-08-31T07:48:00.000-07:00

NYC
12.01.07

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Los Straitjackets

2009-08-23T18:05:00.000-07:00

Calafell, Spain
Sept 2005

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Derek Trucks Band

2009-08-17T20:04:00.000-07:00

from a free show a few nights ago at Lincoln Center Out of Doors

bummed I didn't go ;(

listen to that guitar TONE

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40 years ago...

2009-08-15T09:05:00.000-07:00

The WHO played a 4AM 25 song set at Woodstock

.

over the rainbow

2009-08-13T19:18:00.000-07:00

New York, NY - August 13, 2009 - Les Paul, acclaimed guitar player, entertainer and inventor, passed away today from complications of severe pneumonia at White Plains Hospital in White Plain, New York, surrounded by family and loved ones. He had been receiving the best available treatment through this final battle and in keeping with his persona, he showed incredible strength, tenacity and courage. The family would like to express their heartfelt thanks for the thoughts and prayers from his dear friends and fans. Les Paul was 94.

One of the foremost influences on 20th century sound and responsible for the world’s most famous guitar, the Les Paul model, Les Paul’s prestigious career in music and invention spans from the 1930s to the present. Though he’s indisputably one of America’s most popular, influential, and accomplished electric guitarists, Les Paul is best known as an early innovator in the development of the solid body guitar. His groundbreaking design would become the template for Gibson’s best-selling electric, the Les Paul model, introduced in 1952. Today, countless musical legends still consider Paul’s iconic guitar unmatched in sound and prowess. Among Paul’s most enduring contributions are those in the technological realm, including ingenious developments in multi-track recording, guitar effects, and the mechanics of sound in general.

Born Lester William Polsfuss in Waukesha, Wisconsin on June 9, 1915, Les Paul was already performing publicly as a honky-tonk guitarist by the age of 13. So clear was his calling that Paul dropped out of high school at 17 to play in Sunny Joe Wolverton’s Radio Band in St. Louis. As Paul’s mentor, Wolverton was the one to christen him with the stage name “Rhubarb Red,” a moniker that would follow him to Chicago in 1934. There, Paul became a bonafide radio star, known as both hillbilly picker Rhubarb Red and Django Reinhardt-informed jazz guitarist Les Paul. His first recordings were done in 1936 on an acoustic—alone as Rhubarb Red, as well as backing blues singer Georgia White. The next year he formed his first trio, but by 1938 he’d moved to New York to begin his tenure on national radio with one of the more popular dance orchestras in the country, Fred Waring’s Pennsylvanians.

Tinkering with electronics and guitar amplification since his youth, Les Paul began constructing his own electric guitar in the late ’30s. Unhappy with the first generation of commercially available hollowbodies because of their thin tone, lack of sustain, and feedback problems, Paul opted to build an entirely new structure. “I was interested in proving that a vibration-free top was the way to go,” he has said. “I even built a guitar out of a railroad rail to prove it. What I wanted was to amplify pure string vibration, without the resonance of the wood getting involved in the sound.” With the good graces of Epiphone president Epi Stathopoulo, Paul used the Epiphone plant and machinery in 1941 to bring his vision to fruition. He affectionately dubbed the guitar “The Log.”
Les Paul’s tireless experiments sometimes proved to be dangerous, and he nearly electrocuted himself in 1940 during a session in the cellar of his Queens apartment. During the next two years of rehabilitation, Les earned his living producing radio music. Forced to put the Pennsylvanians and the rest of his career on hold, Les Paul moved to Hollywood. During World War II, he was drafted into the Army but permitted to stay in California, where he became a regular player for Armed Forces Radio Service. By 1943 he had assembled a trio that regularly performed live, on the radio, and on V-Discs. In 1944 he entered the jazz spotlight—thanks to his dazzling work filling in for Oscar Moore alongside Nat King Cole, Illinois Jacquet, and other superstars —at the first of the prestigious Jazz at the Philharmonic concerts.

By his mid-thirties, Paul had successfully combined Reinhardt-inspired jazz playing and the western swing and twang of his Rhubarb Red persona into one distinctive, electrifying style. In the Les Paul Trio he translated the dizzying runs and unusual harmonies found on Jazz at the Philharmonic into a slower, subtler, more commercial approach. His novelty instrumentals were tighter, brasher, and punctuated with effects. Overall, the trademark Les Paul sound was razor-sharp, clean-shaven, and divinely smooth.

As small combos eclipsed big bands toward the end of World War II, Les Paul Trio’s popularity grew. They cut records for Decca both alone and behind the likes of Helen Forrest, the Andrews Sisters, the Delta Rhythm Boys, Dick Hayes, and, most notably, Bing Crosby. Since 1945, when the crooner brought them into the studio to back him on a few numbers, the Trio had become regular guests on Crosby’s hit radio show. The highlight of the session was Paul’s first No. 1 hit and million-seller, the gorgeous “It’s Been a Long, Long Time.”

Meanwhile, Paul began to experiment with dubbing live tracks over recorded tracks, also altering the playback speed. This resulted in “Lover (When You’re Near Me),” his revolutionary 1947 predecessor to multi-track recording. The hit instrumental featured Les Paul on eight different electric guitar parts, all playing together. In 1948, Paul nearly lost his life to a devastating car crash that shattered his right arm and elbow. Still, he convinced doctors to set his broken arm in the guitar-picking and cradling position. Laid up but undaunted, Paul acquired a first generation Ampex tape recorder from Crosby in 1949, and began his most important multi-tracking adventure, adding a fourth head to the recorder to create sound-on-sound recordings. While tinkering with the machine and its many possibilities, he also came up with tape delay. These tricks, along with another recent Les Paul innovation—close mic-ing vocals—were integrated for the first time on a single recording: the 1950 No. 1 tour de force “How High the Moon.” This historic track was performed during a duo with future wife Mary Ford. The couple’s prolific string of hits for Capitol Records not only included some of the most popular recordings of the early 1950s, but also wrote the book on contemporary studio production. The dense but crystal clear harmonic layering of guitars and vocals, along with Ford’s close mic-ed voice and Paul’s guitar effects, produced distinctively contemporary recordings with unprecedented sonic qualities. Through hits, tours, and popular radio shows, Paul and Ford kept one foot in the technological vanguard and the other in the cultural mainstream.

All the while, Les Paul continued to pine for the perfect guitar. Though The Log came close, it wasn’t quite what he was after. In the early 1950s, Gibson Guitar would cultivate a partnership with Paul that would lead to the creation of the guitar he’d seen only in his dreams. In 1948, Gibson elected to design its first solidbody, and Paul, a self-described “dyed-in-the-wool Gibson man,” seemed the right man for the job. Gibson avidly courted the guitar legend, even driving deep into the Pennsylvania mountains to deliver the first model to newlyweds Les Paul and Mary Ford.
“Les played it, and his eyes lighted up,” then-Gibson President Ted McCarty has recalled. The year was 1950, and Paul had just signed on as the namesake of Gibson’s first electric solidbody, with exclusive design privileges. Working closely with Paul, Gibson forged a relationship that would change popular culture forever. The Gibson Les Paul model—the most powerful and respected electric guitar in history—began with the 1952 release of the Les Paul Goldtop. After introducing the original Les Paul Goldtop in 1952, Gibson issued the Black Beauty, the mahogany-topped Les Paul Custom, in 1954. The Les Paul Junior (1954) and Special (1955) were also introduced before the canonical Les Paul Standard hit the market in 1958. With revolutionary humbucker pickups, this sunburst classic has remained unchanged for the half-century since it hit the market.

“The world has lost a truly innovative and exceptional human being today. I cannot imagine life without Les Paul. He would walk into a room and put a smile on anyone’s face. His musical charm was extraordinary and his techniques unmatched anywhere in the world,” said Henry Juszkiewicz, Chairman and CEO of Gibson Guitar. “We will dedicate ourselves to preserving Les’ legacy to insure that it lives on forever. He touched so many lives throughout his remarkable life and his influence extends around the globe and across every boundary. I have lost a dear, personal friend and mentor, a man who has changed so many of our lives for the better.”

“I don’t think any words can describe the man we know as Les Paul adequately. The English language does not contain words that can pay enough homage to someone like Les. As the “Father of the Electric Guitar”, he was not only one of the world’s greatest innovators but a legend who created, inspired and contributed to the success of musicians around the world,” said Dave Berryman, President of Gibson Guitar. “I have had the privilege to know and work with Les for many, many years and his passing has left a deep personal void. He was simply put – remarkable in every way. As a person, a musician, a friend, an inventor. He will be sorely missed by us all,”

With the rise of the rock ’n’ roll revolution of 1955, Les Paul and Mary Ford’s popularity began to wane with younger listeners, though Paul would prove to be a massive influence on younger generation of guitarists. Still, Paul and Ford maintained their iconic presence with their wildly popular television show, which ran from 1953-1960. In 1964, the couple, parents to a son and daughter, divorced. Paul began playing in Japan, and recorded an LP for London Records before poor health forced him to take time off—as much as someone so inspired can take time off.
In the 1977, Paul resurfaced with a Grammy-winning Chet Atkins collaboration, Chester and Lester. Then the ailing guitarist, who’d already suffered arthritis and permanent hearing loss, had a heart attack, followed by bypass surgery.

Ever stubborn, Les recovered, and returned to live performance in the late 1980s. Even releasing the 2005 double-Grammy winner Les Paul & Friends: American Made World Played, featuring collaborations with a veritable who’s who of the electric guitar, including dozens of illustrious fans like Keith Richards, Buddy Guy, Billy Gibbons, Jeff Beck, Eric Clapton, and Joe Perry. In 2008, The Rock and Roll Hall of Fame paid tribute to Les Paul in a week-long celebration of his life which culminated with a live performance by Les himself. Until recently Les continued to perform two weekly New York shows with the Les Paul Trio, at The Iridium Jazz Club in New York City, for over twelve years where a literal who’s who of the entertainment world has paid homage. It has been an honor to have Les Paul perform at The Iridium Jazz Club for the past twelve years hosting such luminaries as Paul McCartney, Keith Richards and others and is a tragic loss to owner Ron Sturm both personally and professionally. Iridium intends to celebrate Les Paul's music and legacy every Monday night.

Les Paul has since become the only individual to share membership into the Grammy Hall of Fame, the Rock and Roll Hall of Fame, the National Inventors Hall of Fame, and the National Broadcasters Hall of Fame. Les is survived by his three sons Lester (Rus) G. Paul, Gene W. Paul and Robert (Bobby) R. Paul, his daughter Colleen Wess, son-in-law Gary Wess, long time friend Arlene Palmer, five grandchildren and five great grandchildren. A private Funeral service will be held in New York. A service in Waukesha, WI will be announced at a later date. Details will follow and will be announced for all services. Memorial tributes for the public will be announced at a future date. The family asks that in lieu of flowers, donations be made to the Les Paul Foundation, 236 West 30th Street, 7th Floor, New York, New York 10001.

EC w/ Derek Trucks

2009-08-11T13:21:00.001-07:00

Crossroads 2007

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Gillian Welch & David Rawlings

2009-08-08T18:43:00.000-07:00

Elvis Presley Blues

.

SWINGIN!

2009-08-05T05:44:00.000-07:00

Duke featuring Paul Gonsalves

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Billy Lee Riley RIP

2009-08-03T16:06:00.000-07:00

Sun Records Legend

.

Happy Birthday Jerry

2009-08-01T14:04:00.000-07:00

Standing on the moon
I got no cobweb on my shoe
Standing on the moon
I'm feeling so alone and blue
I see the gulf of Mexico
As tiny as a tear
The coast of California
Must be somewhere over here - over here

Standing on the moon
I see the battle rage below
Standing on the moon
I see the soldiers come and go
There's a metal flag beside me
Someone planted long ago
Old Glory standing stiffly
Crimson, white and indigo - indigo

I see all of Southeast Asia
I can see El Salvador
I hear the cries of children
And the other songs of war
It's like a mighty melody
That rings down from the sky
Standing here upon the moon
I watch it all roll by - all roll by

Standing on the moon
With nothing else to do
A lovely view of heaven
But I'd rather be with you

Standing on the moon
I see a shadow on the sun
Standing on the moon
The stars go fading one by one
I hear a cry of victory
And another of defeat
A scrap of age old lullaby
Down some forgotten street

Standing on the moon
Where talk is cheap and vision true
Standing on the moon
But I would rather be with you
Somewhere in San Francisco
On a back porch in July
Just looking up to heaven
At this crescent in the sky

Standing on the moon
With nothing left to do
A lovely view of heaven
But I'd rather be with you - be with you

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Big River

2009-07-31T19:26:00.000-07:00

Johnny's looks a little jacked up here

.

1985

2009-07-29T16:53:00.000-07:00

Bob & The Heartbreakers
Farm Aid 1985

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Bromberg

2009-07-20T18:58:00.000-07:00

Iowa State U
1-22-85

.

The Kills

2009-07-17T18:55:00.001-07:00

Sir Paul

2009-07-16T07:10:00.000-07:00

Letterman
7.15.09

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the Dead Weather

2009-07-15T05:03:00.000-07:00

the Levon Helm band

2009-07-10T15:32:00.000-07:00

playing a Garcia/Hunter classic

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Mitch

2009-07-09T06:48:00.000-07:00

Ryan Adams

2009-07-06T19:19:00.000-07:00

a total STONES jam

.

Wave That Flag

2009-07-03T16:41:00.000-07:00

it's all about the dude in the overalls, he's feeeelin' it.

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Caravan

2009-07-01T09:01:00.000-07:00

one of my absolute favorite tunes

Kenny Dre Jr - piano
Michael Formanek - bass
Clarence Penn - drums

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CASH

2009-06-29T05:11:00.000-07:00

Wilco

2009-06-25T07:18:00.001-07:00

from last night's Conan

.

Todd Snider

2009-06-22T17:11:00.000-07:00

and the story of Doc Ellis' no hitter on LSD

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the mystic valley band

2009-06-20T18:09:00.001-07:00

Sabbath

2009-06-20T02:10:00.000-07:00

1970

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22

2009-06-17T19:45:00.000-07:00

Two minutes of the Killer at 22

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Keef

2009-06-16T19:58:00.001-07:00

1981

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You Sho Do Need Him Now

2009-06-13T20:24:00.000-07:00

Happy Sunday!

.

Chris Whitley

2009-06-11T10:39:00.000-07:00

2001

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Ron Carter Foursight

2009-06-08T18:25:00.000-07:00

saw this group in Barcelona in 2003

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Late in the Evening

2009-06-07T08:38:00.000-07:00

6.2.2009

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Waylon

2009-06-06T20:20:00.000-07:00

Merle

2009-06-03T19:12:00.001-07:00

Take the A Train

2009-06-03T07:16:00.000-07:00

Brubeck quartet
1966

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Jeannie Needs a Shooter

2009-05-31T18:29:00.000-07:00

FZ

2009-05-28T19:34:00.000-07:00

Bill Withers

2009-05-27T07:04:00.000-07:00

Acid Tongue

2009-05-25T07:19:00.000-07:00

Jenny Lewis

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Lee Dorsey

2009-05-22T20:22:00.000-07:00

1967

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the Evolution of Sympathy

2009-05-22T08:38:00.001-07:00

1968

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Me & My Uncle

2009-05-19T08:57:00.000-07:00

a John Phillips tune made famous by the good 'ol GD
in fact it's the song they played the most times live

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Had To Cry Today

2009-05-17T20:16:00.001-07:00

2007

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Happy Birthday Pete Seeger

2009-05-16T19:55:00.000-07:00

MSG
5/3/09

not the best quality video
the emotion shines through

.

Beyond Here Lies Nothing

2009-05-15T07:41:00.000-07:00

Dickie Betts and Dan Toler

2009-05-14T07:03:00.000-07:00

The Preacher by Horace Silver
1982

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Steve Howe

2009-05-11T18:09:00.000-07:00

Mood For A Day

from a Steve Howe Interactive CD ROM

so beautiful

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the Duke Spirit

2009-05-10T19:43:00.000-07:00

Le Zephlin

2009-05-08T18:08:00.000-07:00

1969

jus lissen to Pagey

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YeahYeahYeahs

2009-05-06T19:40:00.001-07:00

Wolf

2009-05-04T07:19:00.000-07:00

1964

.

Jeff Beck

2009-05-02T05:14:00.000-07:00

guachi guara

2009-04-29T18:41:00.000-07:00

Fats at JazzFest '99

2009-04-26T19:19:00.000-07:00

featuring Roger Lewis on Baritone Sax

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Prince

2009-04-25T19:31:00.000-07:00

4.23.09

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Happy JazzFest!

2009-04-24T20:28:00.000-07:00

Ain't no place I'd rather be.

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boy was she fat...yeah

2009-04-23T19:51:00.000-07:00

lipsynchedinNewarkNJ1991

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new Bob

2009-04-23T10:07:00.000-07:00

Beyond Here Lies Nothin'

'The video spotlights photographs by Bruce Davidson; specifically, the pics he shot for his 1959 series called "Brooklyn Gang." Fifty years ago, Davidson met a group of rebellious, energetic teens who called themselves "The Jokers." He photographed them on the street, on the subway, at Coney Island, partying ... wherever they went, he followed. The pictures show free-spirited kids feeling "fear, depression, and anger" during an uncertain time.'

USA Today
4/23/09

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the Clash

2009-04-21T07:32:00.000-07:00

Pure Energy.

Manchester 1977

.